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Military history is in the spotlight this year. While a first study attempts to restore the way of life and the identity of the soldiers of the Spanish garrison of Monaco, installed in the Principality between 1605 and 1641 within the framework of the Spanish protectorate, another article tells the story of the military career of Prince Honoré III at the head of the regiment of Monaco, in the French army, between 1739 and 1749, during the War of the Austrian Succession.
Important item in the collections of the Prince's Palace, a portrait of Jeanne Grimaldi Trivulce, sister of Honoré II, dated from the beginning of the 17th century and until now attributed to the Provençal painter Bernardin Mimault, is the subject of a new attribution: Alfonso Pozzobonelli, a Milanese.
Contemporary history is also the subject of several subjects. The two medals struck in the monetary workshop of the princely palace at the end of the reign of Prince Honoré V are interpreted as a mirror of sovereignty, through the reflection of two particular events: a visit by the consul of France, and the development of 'a bridge over the Careï, in Menton, in 1838.
Lichtenstein Castle in Württemberg houses to a French library of around 3,500 volumes, much of it from Princess Florestine of Monaco's legacy of her father Florestan I. His installation in Germany result from the alliance in 1863 between this sister of Prince Charles III and Frederick William of Württemberg. A study of the titles present in this library allows us to understand part of the tastes and literary culture of the Grimaldis of Monaco in the 19th century.
In preparation for the commemorations of the centenary of the disappearance of Prince Albert I in 2022, an article reviews the conditions and context of the publication of the first edition of his major work: La carrière d’un navigateur, in 1902. This The study follows the one, published in 2020, on the writing of these autobiographical accounts in the form of journal articles.
As an epilogue to the subject of the Spanish garrison in Monaco, the document of the year looks back on his expulsion from the Principality on November 17, 1641, from a source never before studied, a contemporary French testimony, published only one month ago after the event.
(full texts in French)
Prince Honoré III was born three hundred years ago, in 1720, , and reigned over the Principality for sixty years, from 1733 to 1793. An Art History article pays tribute to him through the study of portraits realized by a rediscovered painter named Marie-Anne Loir, whose work is a part of the Palace collections.
The continued restoration program of the Renaissance frescoes of the palace generated a study and a strong iconographic file on Ferdinand Wagner, a painter from Augsburg recommended by the Count of Württemberg, brother-in-law of Prince Charles III, who restored and created a part of the painted decorations of the Cour d'Honneur of the princely residence in collaboration with two other German painters in the years 1860-1870.
The mythical book of Prince Albert I, whose centenary of death will be celebrated in 2022, La Carrière d’un navigateur, has never been studied. The first edition of the book, which is a collection of autobiographical narratives, published in 1902, was preceded by the publication of articles from 1888.
Princess Alice, second wife of Prince Albert I, got known to a certain social, artistic and literary background, quite representative of European society at the end of the 19th century. In particular, she forged relationships with Oscar Wilde, Pierre Loti, Margaret Brooke, Frank Harris, Isidore de Lara, who are still known today or have fallen into oblivion...
The appointment of a new Archbishop of Monaco at the start of 2020 is an opportunity to examine episcopal heraldry in the Principality from the end of the 19th century. Symbolic representations obeying codes from the Middle Ages, ecclesiastical coats of arms are intended to reflect the personality, origins, or pastoral program of their bearer.
Contemporary history is evocated through a figure from the early reign of Prince Rainier III, Martin Dale. In 1960, this twenty-eight-year-old former American diplomat was appointed private advisor to the sovereign, responsible for attracting investment from across the Atlantic to the Principality and transforming it into a financial center of international stature.
The Franco-Monegasque crisis of 1962-1963 has slowed down the reform momentum. Martin Dale is accused of privileging American interests to the detriment of France. Despite pressure from General de Gaulle, he continued his mission until 1964.
In this time of COVID-19 pandemic, the “document of the year” section takes us back to 1656, when the baroque and brilliant Queen Christina of Sweden, who came from Rome, wanted to make a stopover in Monaco, while the plague was raging in Italy. The sanitary precautions and the political prudence of Prince Honoré II led to the envisaged stage being only a passage at sea, the story of which is kept in the archives of French Foreign Affairs.
Text in French
The summer 2019 exhibition, presented in the Great Apartments of the Palace of Monaco and dedicated to the first meeting of the American actress Grace Kelly and Prince Rainier III chick took place on May 6, 1955, is transposed in a notebook of fifty pages and abundantly illustrated. This exhibition has been designed by the Archives and Library service of the Princely Palace and the audiovisual institute of Monaco.
The medieval era is evoked through a specific episode in the History of Monaco: the sale and purchase of the Grimaldi lordship to the dolphin of France, in the context of the expansionist actions of tis big neighbors: Genoa, Savoy and Milan.
As an Art-lover Prince, Honoré II greatly built the collections of the Palace in the seventeenth century. As part of the study program about former princely art collections, which started several years ago, the Prince’s liking for painting is analyzed through his personal correspondence.
Another study about art History is dedicated to the Fabergé egg which joined the Princely collections in 1974. This masterpiece of goldsmithing and watchmaking found its place in the official chronology of imperial and pendulum eggs.
Contemporary history is in the spotlight with several subjects: the history of the cemetery of Monaco, from its origin in 1868 to the present day, in the context of the evolution of mentalities and mortuary customs; the role of Prince Albert I in scientific relations between research centers on the coast and the "seabeds" of Villefranche and Monaco at the end of the 19th century and the beginning of the 20th century; the life of Robert W. Service, a Scottish writer famous in the English-speaking world and author of the novel The Poisoned Paradise. A Romance of Monte-Carlo, published in 1922, which depicts a fantasized portrait of Monaco in the “Roaring Twenties”; as Prince’s Rainier III advisor in 1965-1967, Claude de Kémoularia played an important role in the outcome of the crisis between the Monegasque State and Aristotle Onassis; Relying on the advisor's personal archives, an article reviews this episode and decodes the government machineries of the principality in the 1960s.
The two hundred and fiftieth anniversary of the birth of the Monegasque sculptor François-Joseph Bosio (1768-1845), eminent representative of neoclassicism in the early nineteenth century, offers the opportunity of two studies: a monograph of an emblematic work, unique and multiple, the Henry IV child, by a curator of the Louvre; a historiographical retrospective on the representation and the monegasque memory of the artist, erected as a national hero. The tercentenary of the foundation of the city of New Orleans gives the opportunity to a specialist of French emigration in the United States to be interested in the ascendants of Alice Heine, "first American princess of Monaco", second wife of Prince Albert I, whose Alsatian maternal family joined Louisiana in the early nineteenth century, after passing through Santo Domingo and Cuba.
The three hundred and fiftieth anniversary of the birth of the composer Couperin reminds us that he had found a muse in Monaco, in the person of a daughter of Prince Antoine I, to whom he dedicates a harpsichord piece. Granddaughter of Lucien Bonaparte, Marie Rattazzi (1831-1902) was a prominent woman of letters and a salonnière in vogue at the end of the 19th century. She frequented Monaco and its princes, wanting to be the muse. To evoke the relation to the sea of Albert I may seem to belong to the commonplace, repeated to envy. The reflection still remained to be led, from three angles, all experienced by the prince during his career as a navigator: at once shipwrecked, rescuer and protector of the maritime environment. In 2017, the "Explorations de Monaco" were launched to better "love, know and protect" the oceans, in the wake of Prince Albert I's expeditions. Madeira was the first stage and was the site of an exhibition dedicated to the discovery of the archipelago, between 1879 and 1912, by the "prince scientist". A thematic file reports on the event. The current restoration campaign of the palace's painted decorations has brought to light, not only a set of new Renaissance frescoes in the Grand Apartments, but also an unpublished archive, which is the "document of the year", and which gives, for the first time and irrefutably, a name, probably among others, for the realization of the wall paintings of the sixteenth century.
The Monegasque commemoration of this year have strongly influenced the topics of this issue. Indeed, two hundred years ago, in 1817, the Stupinigi agreements linked Monaco to the kingdom of Piedmont-Sardinia. From the 1848 secession to the official end of the Sardinian protectorate of the Principality in 1860, many vicissitudes have been heard. In 1917, a century ago, the battle of the “Chemin des Dames” gave the opportunity to the future Louis II to shine, as he was a volunteer within the French army. A notebook transposes the exhibition dedicated to the prince’s route during the Great War and has been shown to HSH the Prince Albert II in spring of 2017. Armand Lunel died fourty years ago, in 1977. Philosopher and writer less recognized today than he was previously, he taught over a lifetime in Monaco and was granted the Théophraste-Renaudot prize.
Further to the great exhibition of this year in the Nouveau Musée national de Monaco about Hercule Florence, curious inventor of the 19th century, the first pages of his autobiography dedicated to his youth spent in Monaco have been published, annotated and commented. As part of the curriculum on the ancient princes’ art collections, a point about Rubens is made in this issue. An iconic and illuminated document from the Archives of the Palace is here highlighted : Hercule I’s doctorate diploma in canon and civil law, dated 1584. The former dynasty fiefs are presented through an architectural monograph of the castle of Torigni located in Normandy and which was one of the Princes’s residence in the 18th century. The modern historical period is also mentioned thanks to various relationships maintained by Monaco and Venice in the 17th and 18th centuries. To finish with, in order to satisfy the collectors, a study is dedicated to a topic which may look anecdotal : the Monegasque matchboxes from the 19th to nowadays, the evolution of which reflects another image of the Principality.
This issue is mainly dedicated to culture. During the modern era, some princes of Monaco proved to be paints and books collectors. Some of the Rembrandt works are studied through Jacques I’s collection, and the library, which was scattered during the French Revolution, is now “brought back to life”. The epistolary relationship between Princess Alice and the writer Pierre Loti, is highlighted. The cultural aspect, in the sociological meaning of the term, is dealt with a study about Prince Honoré II’s funerals. Furthermore, an article describes the war, waged by Charles Grimaldi, in support of Anjou in the late Middle Ages, while another article refers to the disagreements in the press, during the separation of Menton and Roquebrune in the middle of the 19th century. To finish with, the document of the year is dedicated to the 150th anniversary of the creation of Monte-Carlo. (full texts in French)
On the occasion of the Russian year, and in order to make a link with the Russian exhibition which took place in the Palace of Monaco during summer 2015, a large part of this issue is dedicated to the relationships between the Grimaldi dynasty and Russia, and more precisely the Romanov family. Then, a study about the commercial relationships between the Principality in the Black sea and the Crimea in the Middle Ages, completes this issue. Two other articles deal with the correspondence of Prince Albert I with Massenet, and the history of Monaco pavilion at the universal exhibition. After that, two parts pay tribute to Princess Catherine-Charlotte de Gramont and Prince Pierre, and the document of the year refers to the wedding of Louise-Hippolyte in 1715. (full texts in French)
This issue, published on the occasion of the First World War's centennial, is exclusively dedicated to this war in Monaco and around. Through different aspects, we understand the role that Monaco played in this conflict, in particular regarding its princes’ actions as soldiers and in favour of peace. (full texts in French)
This volume publishes the second part of the article about euro, but also a translation of a French work into Monegasque : Antigone, written by Jean Anouilh. Then, three articles deal with Honoré II (a portrait of Prince Honoré II’s wife, his correspondence with the Sauli family from Genoa, and the French policy initiated towards Italy). Two other articles deal with Albert I (his connection with the Mediterranean sea and the 1887 earthquake). Then, an article refers to the shared history of the Grimaldi and Matignon families, and the document of the year is dedicated to Picasso. (full texts in French)
This issue presents the first part of a new topic : the Monegasque Euro. Regarding the other two studies, each one is dedicated to a new matter : the identity of the Monegasque nation through the revolutionary census, and a correspondence between the composer Camille Saint-Saëns and Prince Albert I. To finish with, the last article describes the relationships between the Holy See and Monaco, from the 14th to the 16th century. (full texts in French)
This issue echoes some previous articles of Annales monégasques, as it covers some similar topics: the Menton’s confraternity of penitents (Monaco’s confraternity of penitents was studied in issues n°15 and 16) or the International Circus Festival, whose background was covered in the previous issue. Regarding the other studies, they refer to politics, Honoré III’s wedding, the 1911 Constitution, and photographs of the Palace of Monaco in the XIXth century. (full texts in French)